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Undecided Undecided but not many are posting....
please say hi Cheesy
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 21 
 on: July 22, 2014, 10:24:00 PM 
Started by Some guy - Last post by elisedance
Preferably while I can still stand... I seem to remember that there may be something of a height mis-match though.  Not that that really maters...

 22 
 on: July 22, 2014, 11:34:08 AM 
Started by Some guy - Last post by Some guy
I'm sure you will be!  Someday we gotta meet!

 23 
 on: July 21, 2014, 10:13:23 PM 
Started by phoenix13 - Last post by elisedance
True on both counts but then you do two things floor-craft ad stamina Cheesy
Smiley

 24 
 on: July 21, 2014, 06:37:37 PM 
Started by phoenix13 - Last post by QPO
True on both counts but then you do two things floor-craft ad stamina Cheesy

 25 
 on: July 21, 2014, 06:09:05 PM 
Started by Some guy - Last post by elisedance
it still takes a second role to the experience of ballroom dance, one that I can't get anywhere else.  That experience is not just moving across the floor together in physical harmony but doing so in emotional harmony too.  That's the part that seems elusive.  Where are the dancers for whom its dance that's #1 and winning #2?  If you have that you are winners in every comp regardless of your placeent. 

But I end up realizing that I'm being danced with out of duty not desire.  I want the lead that feels a thrill when I follow a step sequence and generate a resulting dance-expression.  I think you understand.  I want a lead that loves to dance with me.

Music to my ears EE. Music to my ears...
I only wish I could be music to your feet... Undecided

 26 
 on: July 21, 2014, 04:11:50 PM 
Started by phoenix13 - Last post by Some guy
Unless, of course, the room is so crowded you can't move... Smiley

Like the first round at Nationals.   Tongue

 27 
 on: July 21, 2014, 04:10:55 PM 
Started by elisedance - Last post by Some guy
I think the pendulum (or swing set) is a perfect example of a consecutive "falls" linking together via smooth transitions.  As to whether it happens to "three", that's illusive, because at point of the three are we talking about?  The "T", the "H", the "R", or one of the "E"s?  I think it's safest to let the music decide.  The additional layer of a count can impede musicality significantly. 

 28 
 on: July 21, 2014, 04:08:12 PM 
Started by elisedance - Last post by Some guy
I'm a firm believer in form following function, especially as it relates to ballroom dancing.  So while side is an observed phenomenon, I believe it's a direct result of the correct actions required to allow the proper functions.  As such, form becomes a result, and more importantly, an illusion, and of course you know that talking to a Body Schooler about result (as opposed to actions necessary to obtain the result) is a complete waste of time.   Roll Eyes

 29 
 on: July 21, 2014, 04:02:42 PM 
Started by Some guy - Last post by Some guy
it still takes a second role to the experience of ballroom dance, one that I can't get anywhere else.  That experience is not just moving across the floor together in physical harmony but doing so in emotional harmony too.  That's the part that seems elusive.  Where are the dancers for whom its dance that's #1 and winning #2?  If you have that you are winners in every comp regardless of your placeent.  

But I end up realizing that I'm being danced with out of duty not desire.  I want the lead that feels a thrill when I follow a step sequence and generate a resulting dance-expression.  I think you understand.  I want a lead that loves to dance with me.

Music to my ears EE. Music to my ears...

 30 
 on: July 21, 2014, 02:35:15 PM 
Started by phoenix13 - Last post by elisedance
Unless, of course, the room is so crowded you can't move... Smiley

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